The Bodies Left Behind, Jeffery Deaver, Simon & Schuster, $26.95.
Brynn is an absolutely outstanding character. When, as a reader, you think something terrible has happened to her early on in the story, Deaver has made her so appealing and so interesting that you'll probably be truly upset. But don't despair, this is Brynn's story all the way. When Brynn gets out to the house and finds the couple dead, she ends up fleeing the scene (after she's been shot at) with the couple's houseguest, a woman named Michelle. Michelle is initially more of a hindrance than a help, as she's a totally spoiled city girl who is reluctant to discard her high heeled boots. She and Brynn come to a rough kind of agreement, however, and the chase is on.
This is essentially a chase novel, where each side has its successes and failures, and Deaver is a smart enough writer to make the protagonists and the antagonists evenly matched, though you'll certainly be rooting for Brynn as you read. Along the way, Deaver manages to thread in Brynn's backstory—her relationships with her husband, her son and her mother all have an impact on the ultimate outcome of the story. There is seriously no better writer as ratcheting up suspense and tying that suspense in to character. As a reader Deaver makes you both fully invested—and completely breathless—at each turn of the plot, of which there are many. I pretty much inhaled this novel, as I do every Deaver novel I've ever read. He's a narrative master who makes it look easy.

The Amateurs, Marcus Sakey, Dutton, $25.95.
Four friends who meet weekly in a bar—Ian, the coke snorting trader; Jenn, the travel agent; Alex, the bartender who's trying to pony up child support payments by working double shifts; and Mitch, the doorman at a fancy hotel—like to play "what if" games with each other, thanks mostly to Ian, who loves games. Their favorite what if: what if you had $500,000. All of them have an alternate life scenario. All of them are in their early 30's and either find that life is unsatisfying or they're kind of waiting for it to start. The bar they meet in is the one where Alex works, and one week they all meet the boss.
Alex's boss, a slick, creepy guy named Johnny Love (actually Loverin) takes a shine to Jenn, and Alex, disgusted, mentions that he saw a "big bag" of money in Johnny's safe. Johnny has asked Alex to play a bodyguard for him one night. When the friends are sitting around one night, their what if game then becomes real. What could be simpler than to stage a robbery and relieve Johnny Love of his big bag of cash? They're sure it's drug money that won't be reported. And since Alex will be posing as a bodyguard he'll be above suspicion. It seems like a fail safe plan.
This is a mystery, though, so of course the plan is far from fail safe. Many, many things go bad, and more interestingly, living on the outer edge begins to change all four of the friends, not just the people themselves, but their friendships begin to shift and change. My mother told me recently that people change friends every seven years, and in the case of Ian, Alex, Mitch and Jenn, their seven years feel like they are about up.
Sakey is a genuine narrative master. I've found all of his now four novels impossible to put down—he's definitely in the big leagues. He's also pretty skilled at manipulating your emotions (Alex has a young daughter—I'll leave it at that). This is the kind of book that used to be written by old fashioned storytellers like Mary Roberts Rinehart, Mignon Eberhart and Charlotte Armstrong. All of those women, who wrote standalone novels as Sakey does, were more than adept at telling a smashing story, giving your heart a bit of a twist, and leaving you wanting the next installment very soon. Thankfully Sakey seems to write just as quickly as those early mistresses of their craft. And he's updated the formula, adding his own modern, heart stopping pace to the more gentle storytelling style of those older writers. I can't recommend him much more highly, and if you're looking for a great summer read, Sakey is definitely your guy.

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