Police

Mitchell Bartoy
§ The Devil’s Own Rag Doll
Barbara D'Amato
§ Death of a Thousand Cuts
K.J. Erickson
§ The Last Witness
Christopher Fowler
§ White Corridor
Ruth Francisco
§ Good Morning, Darkness
Leslie Glass
§ A Clean Kill
Chris Granbenstein
§ Hell Hole
§ Tilt-a-Whirl
Michael Gruber
§ Tropic of Night
Lee Harris
§ Murder in Hell's Kitchen
Libby Fischer Hellmann
§ A Picture of Guilt
David Hewson
§ The Villa of Mysteries
S.W. Hubbard
§ Take the Bait
Craig Johnson
§ The Cold Dish
J.A. Konrath
§ Bloody Mary
§ Whiskey Sour
William Kent Krueger
§ Copper River
§ Mercy Falls
Henning Mankell
§ The White Lioness
Michael McGarrity
§ Tularosa
T. Jefferson Parker
§ Cold Pursuit
Louise Penny
§ The Cruellest Month
§ A Fatal Grace
§ Still Life
Clyde Phillips
§ Blindsided
§ Sacrifice
Theresa Schwegel
§ Officer Down
§ Person of Interest
Karin Slaughter
§ Blindsighted
§ Indelible
Julie Smith
§ Mean Woman Blues


Murder in Hell's Kitchen, Lee Harris, Fawcett, $6.99.

This is one of the least pretentious books I have ever read. It is what it is - a straight ahead police procedural, no embellishments. Using the same clear and concise prose she's used to advantage throughout her Christine Bennett series, Harris employs her slightly old fashioned, almost ladylike storytelling style to tell a modern story about a modern police department. She's obviously done her research - she uses some terms I haven't heard in other books or even on NYPD Blue.

Her central character, Detective Jane Bauer, has just moved to the cold case special unit. Working with two partners - one of whom drives her nuts - they delve into an apparently senseless murder case, which, as they start to peel away layers, turns out to be much, much more. The police work is solid and well detailed, and Harris has always been excellent at telling a story where the central conflict seems unsolvable and then cracking it. This book, subtitled "A Manhattan Mystery", is also full of daily details of life in the city. Obviously Harris loves New York, and it shows on nearly every page of this book.

While I think the book is lacking in a little bit of sparkle - Jane Bauer could use some more interesting character traits - Harris, as is typical for her, is such a storytelling pro that the ending is sensational. It makes reading the rest of the book completely worthwhile. She also gives Jane some interesting personal dilemmas - she's in love with a married man, she has a child she put up for adoption turn up out of the blue - that obviously are being set up for more exploration in further novels. I, for one, wouldn't mind getting to know Jane Bauer better.

 

To browse more reviews, use the navigation links at the top of the page.