Oldies But Goodies

Margery Allingham
§ Sweet Danger
Mary Elizabeth Braddon
§ Lady Audley's Secret
Pamela Branch
§ The Wooden Overcoat
Agatha Christie
§ Hallowe'en Party
Joan Coggin
§ The Mystery at Orchard House
§ Penelope Passes
Patricia D. Cornwell
§ Postmortem
Barbara D'Amato
§ Hard Case
Mary Fitt
§ Death and the Pleasant Voices
Elizabeth George
§ For the Sake of Elena
Elizabeth Sanxay Holding
§ Lady Killer
§ Miasma
Gini Hartzmark
§ Dead Certain
§ Final Option
§ Principal Defense
§ Rough Trade
Carroll Lachnit
§ Akin to Death
§ Murder in Brief
Constance and Gwenyth Little
§ The Black Eye
Margaret Maron
§ Winter's Child
Ngaio Marsh
§ Death of a Peer
Sujata Massey
§ Zen Attitude
Ruth Rendell
§ A Judgement in Stone
Josephine Tey
§ Brat Farrar
§ Miss Pym Disposes
Anna Mary Wells
§ Murderer’s Choice
Anne Wingate
§ Death by Deception
§ The Buzzards Must Also Be Fed


The Black Eye, Constance and Gwenyth Little, Rue Morgue Press, $14.00.

The Rue Morgue Press has a real affection for the vintage mystery, full of humor, clever plots, and funny characters. Their publication of the Joan Coggin's books made me a fan, and the Little sisters' The Black Eye is just as captivating. Thoughtfully provided with both an informative introduction as well as a listing and description at the end of the novel about other vintage titles, the book is a delight from beginning to delicious end. The story finds Eugenia Gates accepting the invitation of an acquaintance, Mary Fredon, to use her New York apartment to rest and relax for a few days - it's wartime New York and rooms are not so easy to find. Eugenia is pleased to discover that the apartment is large, quiet, and maniacally clean; she's not so thrilled when other guests not only start arriving but begin to plan a large party, whether she wants them to or not. One is an army sergeant named Ken and one is the slightly nutty Lucy, called in by Mary to "chaperone", and who luckily turns out to have a talent for cooking.

Mary, the owner of the apartment, is in the country trying to get over the defection of her heretofore pliable husband, Homer, who has apparently run away with the next door neighbor, Betty. Both Betty's and Homer's spouses are sure this can't be happening, but Betty and Homer are both missing, and then the dead bodies start to turn up. One of them is wrapped in some fabric Mary had bought for curtains for her country house - this somehow morphs into a discussion about the suitability of the color of the curtains - and this is the tone of the novel. There may be bodies scattered around, but they're not too upsetting, and they certainly throw off neither the characters appetites nor their senses of humor. Mary can only be soothed by constant and extreme cleaning - when Eugenia suggests that Mary find a shabby chair for a policeman to sleep in, Mary says that of course has no shabby chair. None of this is done in any heavy handed way, it's all rather light and quick, and sometimes it's only in thinking about it later that it gives you a smile.

The mystery itself is suitably complicated and a little silly - I was sorry when I finished the book, was glad I had read it, and look forward very much to reading another. The cleaning mania of Mary Fredon will live on in my brain for a long, long time - especially when I see the cute little dust bunnies accumulate all over my own house.

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