Historical Mysteries

Mary Jo Adamson
§ The Blazing Tree
Rennie Airth
§ The Blood-Dimmed Tide
Tasha Alexander
§ And Only to Deceive
Suzanne Arruda
§ Stalking Ivory
Cordelia Frances Biddle
§ The Conjurer
§ Deception's Daughter
Rhys Bowen
§ For the Love of Mike
§ Her Royal Spyness
§ In Dublin's Fair City
§ Murphy’s Law
§ Oh Danny Boy
§ A Royal Pain
Barbara Cleverly
§ The Damascened Blade
§ The Last Kashmiri Rose
§ The Palace Tiger
§ The Tomb of Zeus
Jeanne M. Dams
§ Crimson Snow
§ Silence is Golden
Kathy Lynn Emerson
§ Face Down Below the Banqueting House
Margaret Frazer
§ The Bastard’s Tale
§ The Hunter’s Tale
§ The Traitor's Tale
§ The Widow’s Tale
Alan Gordon
§ The Widow of Jerusalem
Ann Granger
§ The Companion
Kathryn Miller Haines
§ The War Against Miss Winter
Barbara Hambly
§ Wet Grave
C.S. Harris
§ What Angels Fear
Craig Holden
§ The Jazz Bird
Margit Liesche
§ Lipstick and Lies
Paul L. Moorcraft
§ Anchoress of Shere
Sharan Newman
§ Heresy
§ The Shanghai Tunnel
§ The Witch in the Well
Candace Robb
§ The Cross-Legged Knight
P.B. Ryan
§ Murder in a Mill Town
§ Still Life With Murder
Tom Rob Smith
§ Child 44
Daniel Stashower
§ The Beautiful Cigar Girl:
Mary Rogers, Edgar Allan Poe and The Invention of Murder
Kate Summerscale
§ The Suspicions of Mr. Whicher:
A Shocking Murder and the Undoing of a Great Victorian Detective
Andrew Taylor
§ An Unpardonable Crime
Jacqueline Winspear
§ Birds of a Feather
§ An Incomplete Revenge
§ Maisie Dobbs

 


Stalking Ivory, Suzanne Arruda, Obsidian, $14.00.

Suzanne Arruda's books beg to be read with a soundtrack. Not a musical one, but the sounds of the jungle, that Arruda, a former zookeeper, beautifully describes in her novels. Years ago I was on a board with a woman from South Africa; she said children in Africa are trained to recognize the difference between a leopard's cry and a lion's. I never quite believed her (she had a tendency to exaggerate) but I do now. And indeed, the animal inhabitants of Arruda's books are as meaningful as the human ones; this book, about elephant poaching, is especially heart rending. The opening scene sets up the book: Jade del Cameron is a wildlife photographer on the hunt for elephants. She's in a hunting blind rigging a camera to catch the elephants and the jungle at night when all the animals are on the move. What she and her friends Avery and Bev find on the way back to camp - a group of slaughtered elephants, minus their tusks - propels the action in the rest of the novel. It's effective as it makes you care about what happens as much as you would be invested in any human victim - since the victims are animals it's almost as bad as the murder of a child because the victims, while not defenseless, were certainly innocent.

The complications of the rest of the novel involve a fellow safari guide, Harry Hascombe, who is guiding a group of Germans (especially sensitive as this is set in 1920, soon after WWI); a pilot and movie maker named Sam Featherstone, who, like Harry, is somewhat besotted by Jade; and Jelani, the young African boy who works for Jade, primarily keeping an eye on the pet cheetah who used to belong to Harry but who, like everyone else in the story, is besotted with the beautiful, brave, and sometimes foolhardy Jade. Jade is certainly the driving force of nature in the story, but a close second is the African landscape that Arruda writes about with real vividness. Complicating matters further is a cache of guns and money found by Jade and her headman, Chiumbu; they take it upon themselves to discover who has stored them as they are sure the same people are behind the elephant poaching.

While there are some deaths in the book along with those of the elephants, Arruda is primarily writing an adventure story; with her love of nature and animals, she's similar to Nevada Barr in her ability to make a landscape come alive. Jade's complicated love life and family and personal history make her a character worth following - literally to the ends of the earth.

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