Historical Mysteries

Mary Jo Adamson
§ The Blazing Tree
Rennie Airth
§ The Blood-Dimmed Tide
Tasha Alexander
§ And Only to Deceive
Suzanne Arruda
§ Stalking Ivory
Cordelia Frances Biddle
§ The Conjurer
§ Deception's Daughter
Rhys Bowen
§ For the Love of Mike
§ Her Royal Spyness
§ In Dublin's Fair City
§ Murphy’s Law
§ Oh Danny Boy
§ A Royal Pain
Barbara Cleverly
§ The Damascened Blade
§ The Last Kashmiri Rose
§ The Palace Tiger
§ The Tomb of Zeus
Jeanne M. Dams
§ Crimson Snow
§ Silence is Golden
Kathy Lynn Emerson
§ Face Down Below the Banqueting House
Margaret Frazer
§ The Bastard’s Tale
§ The Hunter’s Tale
§ The Traitor's Tale
§ The Widow’s Tale
Alan Gordon
§ The Widow of Jerusalem
Ann Granger
§ The Companion
Kathryn Miller Haines
§ The War Against Miss Winter
Barbara Hambly
§ Wet Grave
C.S. Harris
§ What Angels Fear
Craig Holden
§ The Jazz Bird
Margit Liesche
§ Lipstick and Lies
Paul L. Moorcraft
§ Anchoress of Shere
Sharan Newman
§ Heresy
§ The Shanghai Tunnel
§ The Witch in the Well
Candace Robb
§ The Cross-Legged Knight
P.B. Ryan
§ Murder in a Mill Town
§ Still Life With Murder
Tom Rob Smith
§ Child 44
Daniel Stashower
§ The Beautiful Cigar Girl:
Mary Rogers, Edgar Allan Poe and The Invention of Murder
Kate Summerscale
§ The Suspicions of Mr. Whicher:
A Shocking Murder and the Undoing of a Great Victorian Detective
Andrew Taylor
§ An Unpardonable Crime
Jacqueline Winspear
§ Birds of a Feather
§ An Incomplete Revenge
§ Maisie Dobbs

 


An Incomplete Revenge, Jacqueline Winspear, Henry Holt, $24.00.

I've been a fan of Maisie Dobbs from the start, but in this book, I think Winspear's various gifts with character, setting, prose, and finally plot coalesce into what is to me her strongest book yet in this fine series. Winspear's way with character and prose have never been in doubt - sometimes the complexity of the stories hasn't matched the rich complexity of the characters, but in this novel, one full of emotional changes, endings, and reconciliations, everything comes together in a very satisfying whole. This author has a way of writing that catches you - sometimes you are reading whole passages (or at least I am) with a lump in your throat. I'm not sure I could explain why - maybe if I had Maisie Dobbs' gift for psychology I could, but I'll put it down to some sort of authorial spell that only the very best writers are capable of and leave it at that.

Maisie, for the uninitiated (and if you haven't yet read the first book in the series, you really should start with that one) was a nurse on the front during WWI. The horrors of that war were many, but one of its most brutal aspects was the wiping out of practically an entire generation of young men. Maisie herself has not been unscathed; her fiancee, Simon, while still alive, has been so badly injured that he is merely a shell of himself who no longer speaks or walks. Her best friend, Priscilla, lost all her brothers and has made up for it by having a houseful of boys; but in many ways these are books that deal largely with grief, maybe even more so than a typical mystery does. It infuses everything, and Maisie's efforts to rise above her grief and move forward with grace make her an almost heroic figure.

In this book Maisie is asked by her old friend James Compton to investigate a disturbing series of small fires and petty thefts surrounding a brickworks his company wants to buy. He wants to make sure that both the brickworks and the surrounding community are a safe investment. The job seems minor on the surface, but of course it is not. As Maisie journeys into the heart of Kent to investigate she susses out the town of Heronsdene that at midsummer is filled both with gypsies and Londoners on a working vacation, picking hops, one of whom is her assistant, Billy Beale. Both the gypsies and the itinerant Londoners add a rich and unusual texture to the story, and of course as the plot develops in complexity, the threads that tie the mysteries in Heronsdene are drawn together with both the stories of the gypsies and the Londoners. I think the plot of this book is the most complicated and ultimately satisfying one so far, though the resolution is heartbreaking.

Also dealt with in this book is the impending death of Simon and her friend Priscilla's dilemma about what she should do about her boys' misery at their boarding school, where they are being bullied. At the center of the story are two characters, one strong - Beaulah, the gypsy matriarch; and one weak - Alfred Sandemere, master of Heronsdene, owner of the brickworks, and a man heartily disliked by all. As Maisie winds up the threads of the story in this book she must also deal with Simon's death, which seems to take her to another level. She has changed since the first book - become more independent and strong, and with the death of Simon she seems like a clean slate. It will be interesting to see where Winspear takes both this development with Maisie, and the looming of the next world war, which is already being foreshadowed. This is a bravura effort from a writer who manages to charm and intrigue with each new novel; in this one, she also captures your heart.

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