British Mysteries

Mark Billingham
§ Sleepy Head
Steven Booth
§ Dancing with the Virgins
Rhys Bowen
§ Her Royal Spyness
Tony Broadbent
§ The Smoke
Ken Bruen
§ The Guards
Deborah Crombie
§ In a Dark House
§ Water Like a Stone
Clare Curzon
§ Don’t Leave Me
Anthony Eglin
§ The Blue Rose
Geraldine Evans
§ Dead Before Morning
Christopher Fowler
§ Full Dark House
§ White Corridor
Elizabeth George
§ Careless in Red
§ With No One As Witness
Caroline Graham
§ A Ghost in the Machine
Ann Granger
§ The Companion
Cynthia Harrod-Eagles
§ Dear Departed
§ Game Over
§ Gone Tomorrow
Erin Hart
§ Haunted Ground
Patricia Harwin
§ Arson & Old Lace
Reginald Hill
§ The Stranger House
Elizabeth Ironside
§ The Accomplice
§ Death in the Garden
P.D. James
§ The Murder Room
M.G. Kincaid
§ Last Seen in Aberdeen
§ The Last Victim in Glen Ross
Peter Lovesey
§ The Reaper
Stuart McBride
§ Bloodshot
§ Cold Granite
§ Dying Light
Val McDermid
§ The Distant Echo
Jill McGown
§ Death in the Family
§ A Tribute to Jill McGown
Denise Mina
§ The Dead Hour
§ Field of Blood
Ann Purser
§ Murder on Monday
Ian Rankin
§ Dead Souls
§ Fleshmarket Alley
Danuta Reah
§ Listen to the Shadows
Ruth Rendell
§ The Rottweiler
Peter Robinson
§ Close to Home
Sarah Smith
§ Chasing Shakespeares
Peter Watson
§ Landscape of Lies
Laura Wilson
§ Telling Lies to Alice


Close to Home, Peter Robinson, William Morrow, $24.95.

Alan Banks goes home and solves one of the hanging issues of his childhood - alluded to in many other Alan Banks novels - of the disappearance of his boyhood friend, Graham Marshall. When some bones are found by workers digging building foundations and they turn out to be Graham's, Banks interrupts his holiday to go back home and try and see what he can dig up. At the same time, sometime girlfriend DI Annie Cabot is working on a high profile kidnapping case in Bank's home station. The parallel disappearances of two teenaged boys so many years apart tugs at Banks, as does a feeling of guilt that he can't shake. Banks' guilt stems from the fact that he was almost abducted himself shortly before his friend disappeared; he got away and never told his parents or the police. When Graham disappears so soon afterwards he's been sure for all the ensuing years that it was the same man - and that he should have gone to the police at the time.

This novel gives Robinson the chance to lay some ghosts to rest for Banks and it feels like an "in-between" novel - not as thrilling as In a Dry Season or Aftermath, this is what Robinson has built his reputation on - a solid police procedural, painstakingly assembled, with careful clues as well as red herrings. Robinson is filling Colin Dexter's shoes with a far more agreeable main character, and it's Banks as a man who carries this novel on his strong, capable back. Long may he reign.

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